How to say "seven hundred" in Cebuano

Prosody
Cebuano
IPA
p
i
t
o
p
i
t
o
k
a
k
a
g
a
t
o
s

Side view / Front view of mouth & tongue animation

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Articulatory Animation Breakdown

1/p/voiceless bilabial stop0.000.08s, unstressed

Articulation: Lips press firmly together, sealing airflow completely. Tongue is neutral and uninvolved. Jaw is nearly closed. Voicing is absent — vocal cords stay apart. Air pressure builds behind the lips, then releases in a brief burst.

Transition: As the lips release, they immediately spread sideways — the tongue simultaneously moves forward to prepare for /i/.

Role in phrase: This stop is unstressed and brief — the release is light and completely unaspirated.

2/i/high front vowel0.080.19s, unstressed

Articulation: Lips spread sideways into a near-smile — unrounded, tense. The tongue body pushes high and forward, close to (but not touching) the hard palate. Tongue tip points toward the lower front teeth. Jaw is nearly closed. Airflow is continuous and voiced.

Transition: The jaw closes slightly as the tongue tip shoots up to contact the alveolar ridge for /t/.

Role in phrase: This syllable is reduced — the tongue doesn't fully reach its target position, and duration is clipped short.

3/t/voiceless alveolar stop0.190.29s, stressed

Articulation: Tongue tip presses firmly against the alveolar ridge just behind the upper teeth. Lips are neutral and relaxed. Jaw is nearly closed. Voicing is absent. Air pressure builds and releases in a sharp burst.

Transition: The tongue tip drops from the alveolar ridge as the lips immediately round to prepare for /o/.

Role in phrase: As part of the stressed syllable, this consonant is articulated firmly with a crisp, clear release.

4/o/mid-high back vowel0.290.40s, stressed

Articulation: Lips round and protrude slightly forward. Tongue body pulls back and rises toward the soft palate (velum), without touching it. Tongue tip rests low, away from the teeth. Jaw is mid-open. Airflow is continuous and voiced.

Transition: The tongue body pulls back and up against the soft palate to seal the airflow for /k/.

Role in phrase: This syllable carries the primary word stress — the jaw opens slightly wider, duration extends, and the tongue position is more precise and held longer.

5/k/voiceless velar stop0.530.66s, unstressed

Articulation: Tongue back rises to press against the soft palate (velum), completely blocking airflow. Lips are neutral. Jaw is slightly open. Voicing is absent. Air pressure builds and releases in a burst.

Transition: The tongue back drops completely away from the velum and the jaw opens for /a/.

Role in phrase: This stop is unstressed and brief — the release is light and completely unaspirated.

6/a/low central vowel0.660.80s, unstressed

Articulation: Lips are unrounded and neutral. Tongue body is low and central, resting flat. Tongue tip rests behind the lower front teeth. Jaw is fully open. Airflow is continuous and voiced.

Transition: The tongue body pulls back and up against the soft palate to seal the airflow for /ɡ/.

Role in phrase: This syllable is reduced — the tongue doesn't fully reach its target position, and duration is clipped short.

7/ɡ/voiced velar stop0.880.96s, unstressed

Articulation: Tongue back rises to press against the soft palate (velum). Lips are neutral. Jaw is slightly open. Voicing is continuous. Air pressure builds and releases in a voiced burst.

Transition: The tongue back drops completely away from the velum and the jaw opens for /a/.

Role in phrase: This consonant is articulated naturally without extra emphasis, moving quickly into the next sound.

8/a/low central vowel0.961.08s, unstressed

Articulation: Lips are unrounded and neutral. Tongue body is low and central, resting flat. Tongue tip rests behind the lower front teeth. Jaw is fully open. Airflow is continuous and voiced.

Transition: The jaw closes slightly as the tongue tip shoots up to contact the alveolar ridge for /t/.

Role in phrase: This vowel is unstressed and brief — it functions as a fast glide into the rest of the word.

9/t/voiceless alveolar stop1.081.20s, nuclear stress

Articulation: Tongue tip presses firmly against the alveolar ridge just behind the upper teeth. Lips are neutral and relaxed. Jaw is nearly closed. Voicing is absent. Air pressure builds and releases in a sharp burst.

Transition: The tongue tip drops from the alveolar ridge as the lips immediately round to prepare for /o/.

Role in phrase: As part of the nuclear-accented syllable, this consonant is articulated very firmly with a crisp, clear release to anchor the phrase's intonation.

10/o/mid-high back vowel1.201.32s, nuclear stress

Articulation: Lips round and protrude slightly forward. Tongue body pulls back and rises toward the soft palate (velum), without touching it. Tongue tip rests low, away from the teeth. Jaw is mid-open. Airflow is continuous and voiced.

Transition: The jaw closes slightly as the tongue tip shoots up to contact the alveolar ridge for /s/.

Role in phrase: This syllable carries the nuclear accent (the strongest stress in the phrase) — the jaw opens wider, duration extends significantly, and the tongue position is held longer with maximal precision.

11/s/voiceless alveolar fricative1.321.60s, nuclear stress

Articulation: Tongue tip raises close to the alveolar ridge, creating a narrow channel. Lips are slightly spread. Jaw is nearly closed. Voicing is absent. Air forced through the narrow gap creates a continuous hiss.

Transition: The vocal tract relaxes as voicing ends, returning to a neutral resting position.

Role in phrase: As part of the nuclear-accented syllable, this consonant is articulated very firmly with a crisp, clear release to anchor the phrase's intonation.

Articulation descriptions are based on established phonetic properties of each IPA segment, cross-referenced against native Cebuano speaker recordings. Tongue position, jaw height, lip rounding, and airflow direction reflect standard phonetic descriptions for these sounds as they appear in Cebuano speech.

IPA & Pronunciation of "pito ka gatos"

p
i
t
o
k
a
ɡ
a
t
o
s
Speed:

This audio was produced using professional-grade speech synthesis calibrated to Cebuano phonology. Pronunciation accuracy — including stress placement, vowel quality, and natural rhythm — was reviewed against native Cebuano (Bisaya) speaker recordings. Playback at 0.5× speed is recommended for detailed study.

Acoustic Speech Visualization

Acoustic speech visualizer waveform for /pito ka ɡatos/0s0.05s0.10s0.15s0.20s0.25s0.30s0.35s0.40s0.45s0.50s0.55s0.60s0.65s0.70s0.75s0.80s0.85s0.90s0.95s1.00s1.05s1.10s1.15s1.20s1.25s1.30s1.35s1.40s1.45s1.50s1.00.50-0.5-1.0100 dB80 dB60 dB40 dB20 dB100 Hz200 Hz300 Hz400 Hz500 Hz0Time (s)AmplitudeIntensity (dB)Pitch (Hz)pito ka ɡatosVoicelessVoiced
In current audio there are voiceless phonemes:
"p" at 0.00s-0.07s
"t" at 0.19s-0.27s
"k" at 0.53s-0.60s
"t" at 1.08s-1.17s
"s" at 1.32s-1.60s
based on the waveform we build
voiced
voiceless
glottal stop
Syllable / PhonemeTimingNotes
/pi//to/
0.000.40s
2 syllables, 4 phonemes
/p/
0.000.08sVoiceless consonant — bilabial plosive — unstressed /pi/ presenting ~69 dB intensity
/i/
0.080.19sVoiced vowel — closed mouth with tongue at the front and relaxed lips — unstressed syllable /pi/ with ~75 dB intensity and ~163 Hz pitch
/t/
0.190.29sVoiceless consonant — alveolar plosive — marked as stressed by an extended hold of ~212 ms (vs ~186 ms for /pi/)
/o/
0.290.40sVoiced vowel — partially closed mouth with tongue at the back and round lips — extended to ~212 ms (~+26 ms longer than the unstressed /pi/), indicating stress
/ka/
0.530.80s
1 syllable, 2 phonemes
/k/
0.530.66sVoiceless consonant — velar plosive — minimized burst intensity and compact articulation in unstressed syllable /ka/
/a/
0.660.80sVoiced vowel — wide open mouth with tongue in the center and relaxed lips — moderate sonority, restrained resonance profile, and controlled pitch movement (~143 Hz) in unstressed syllable /ka/
/ɡa//tos/
0.881.60s
2 syllables, 5 phonemes
/ɡa/
0.881.08sVoiced sequence — velar plosive, wide open mouth with tongue in the center and relaxed lips — unstressed syllable /ɡa/ with an acoustic profile of ~74 dB and ~140 Hz
/t/
1.081.20sVoiceless consonant — alveolar plosive — this syllable is longer (~520 ms vs ~200 ms for the unstressed /ɡa/), marking it as stressed
/o/
1.201.32sVoiced vowel — partially closed mouth with tongue at the back and round lips — this syllable is longer (~520 ms vs ~200 ms for the unstressed syllable), which carries the stress
/s/
1.321.60sVoiceless consonant — alveolar fricative — carries stress through an extended duration (~520 ms vs ~200 ms for the unstressed /ɡa/)

Syllable boundary positions and segment widths in this visualization are derived from durational measurements taken from native Cebuano speaker recordings, not estimated. Timing ratios reflect actual phonetic data. Learn how we build our acoustic pronunciation visualizations →

Syllabic Stress Visualization

pi
to
ka
ɡa
tos

Syllable stress pattern and pitch contour derived from acoustic measurements of native Cebuano speech. Dot size reflects relative duration and prominence; the curve shows how fundamental frequency (F0) moves across syllables in natural Bisaya pronunciation.

Native Speakers Pronounce: pito ka gatos

Video by Luna

The video above features a native Cebuano (Bisaya) speaker for real-world pronunciation reference. Comparing your production against a native speaker is one of the most effective ways to refine accuracy in stress, vowel quality, and natural speech rhythm. Video sourced from the @luna_speakcebuano.bisaya YouTube channel.

Other Examples

Editorial Notes

How this pronunciation entry was made

IPA transcription, syllable stress analysis, articulatory mouth animation, and pronunciation audio for this entry were produced by the Dictionarying Editorial Team, using acoustic analysis of native Cebuano speech as the basis for phonetic modeling. Native speaker reference recordings were used to validate pronunciation accuracy, and the final entry was reviewed by a language learning advisor.
  • Pronunciation audio generated via professional speech synthesis, then calibrated against native Cebuano speaker recordings.
  • IPA transcription derived from acoustic/phonetic analysis, not transliteration
  • Articulatory descriptions cross-checked against Cebuano phonology documentation
  • Reviewed by a language learning advisor before publishing

Produced by

Linguistics • Phonetics • Speech Analysis • Language Research

Reviewed by

Ben Worthington - Language Learning Advisor
Language Learning Advisor

Native speaker reference

Luna - Cebuano Native Speaker
Native Speaker & Language Teacher
Contact & feedback
Last reviewed: September 5, 2026