How to say "I am tired." in Cebuano

Prosody
Cebuano
IPA
K
a
p
oy
k
o
.
k
o
.

Side view / Front view of mouth & tongue animation

The mouth and tongue animation requires a modern browser with SVG support. If it isn't displaying, you can watch the full pronunciation animation as a video instead — it shows the same real-time articulatory movements synchronized with the audio.

Articulatory Animation Breakdown

1/k/voiceless velar stop0.000.08s, nuclear stress

Articulation: Tongue back rises to press against the soft palate (velum), completely blocking airflow. Lips are neutral. Jaw is slightly open. Voicing is absent. Air pressure builds and releases in a burst.

Transition: The tongue back drops completely away from the velum and the jaw opens for /a/.

Role in phrase: As part of the nuclear-accented syllable, this consonant is articulated very firmly with a crisp, clear release to anchor the phrase's intonation.

2/a/low central vowel0.080.16s, nuclear stress

Articulation: Lips are unrounded and neutral. Tongue body is low and central, resting flat. Tongue tip rests behind the lower front teeth. Jaw is fully open. Airflow is continuous and voiced.

Transition: From the vowel position, the lips quickly close together to block the airflow for /p/.

Role in phrase: This syllable carries the nuclear accent (the strongest stress in the phrase) — the jaw opens wider, duration extends significantly, and the tongue position is held longer with maximal precision.

3/p/voiceless bilabial stop0.160.24s, unstressed

Articulation: Lips press firmly together, sealing airflow completely. Tongue is neutral and uninvolved. Jaw is nearly closed. Voicing is absent — vocal cords stay apart. Air pressure builds behind the lips, then releases in a brief burst.

Transition: As the lips release, they quickly round and protrude, while the tongue pulls back to prepare for /oj/.

Role in phrase: This consonant is articulated naturally without extra emphasis, moving quickly into the next sound.

4/oj/diphthong0.240.32s, unstressed

Articulation: Lips start rounded and protruded, then unround and spread. Tongue starts mid-back, then glides high and forward toward the hard palate. Jaw closes from mid-open to nearly closed. Voicing is continuous.

Transition: The tongue body pulls back and up against the soft palate to seal the airflow for /k/.

Role in phrase: This vowel is unstressed and brief — it functions as a fast glide into the rest of the word.

5/k/voiceless velar stop0.430.53s, unstressed

Articulation: Tongue back rises to press against the soft palate (velum), completely blocking airflow. Lips are neutral. Jaw is slightly open. Voicing is absent. Air pressure builds and releases in a burst.

Transition: The tongue back releases slightly but stays high, as the lips round tightly for /o/.

Role in phrase: This stop is unstressed and brief — the release is light and completely unaspirated.

6/o/mid-high back vowel0.530.64s, unstressed

Articulation: Lips round and protrude slightly forward. Tongue body pulls back and rises toward the soft palate (velum), without touching it. Tongue tip rests low, away from the teeth. Jaw is mid-open. Airflow is continuous and voiced.

Transition: The vocal tract relaxes as voicing ends, returning to a neutral resting position.

Role in phrase: This syllable is reduced — the tongue doesn't fully reach its target position, and duration is clipped short.

Articulation descriptions are based on established phonetic properties of each IPA segment, cross-referenced against native Cebuano speaker recordings. Tongue position, jaw height, lip rounding, and airflow direction reflect standard phonetic descriptions for these sounds as they appear in Cebuano speech.

IPA & Pronunciation of "Kapoy ko."

k
a
p
oj
k
o
Speed:

This audio was produced using professional-grade speech synthesis calibrated to Cebuano phonology. Pronunciation accuracy — including stress placement, vowel quality, and natural rhythm — was reviewed against native Cebuano (Bisaya) speaker recordings. Playback at 0.5× speed is recommended for detailed study.

Acoustic Speech Visualization

Acoustic speech visualizer waveform for /kapoj ko/0s0.05s0.10s0.15s0.20s0.25s0.30s0.35s0.40s0.45s0.50s0.55s0.60s0.65s0.70s0.75s0.80s0.85s0.90s0.95s1.00s1.05s1.10s1.15s1.20s1.00.50-0.5-1.0100 dB80 dB60 dB40 dB20 dB100 Hz200 Hz300 Hz400 Hz500 Hz0Time (s)AmplitudeIntensity (dB)Pitch (Hz)kapoj koVoicelessVoiced
In current audio there are voiceless phonemes:
"k" at 0.00s-0.06s
"p" at 0.16s-0.20s
"k" at 0.43s-0.49s
based on the waveform we build
voiced
voiceless
glottal stop
Syllable / PhonemeTimingNotes
/ka//poj/
0.000.32s
2 syllables, 4 phonemes
/k/
0.000.08sVoiceless consonant — velar plosive — stress-enhanced with elevated acoustic energy (~73 dB) and extended articulation (0.08 s) in stressed /ka/
/a/
0.080.16sVoiced vowel — wide open mouth with tongue in the center and relaxed lips — intensified acoustic presence (~76 dB) with broadened resonance envelope and heightened pitch energy (~175 Hz) in stressed /ka/
/p/
0.160.24sVoiceless consonant — bilabial plosive — compressed closure timing (0.08 s) with lighter acoustic pressure in unstressed /poj/
/oj/
0.240.32sVoiced diphthong — diphthong gliding from /o/ to /i/ — minimized spectral intensity (~78 dB), shorter articulation, and softened pitch contour (~163 Hz) in unstressed syllable /poj/
/ko/
0.430.72s
1 syllable, 2 phonemes
/k/
0.430.53sVoiceless consonant — velar plosive — weaker transient release (~71 dB) and shorter consonant hold (0.11 s) within unstressed syllable /ko/
/o/
0.530.64sVoiced vowel — partially closed mouth with tongue at the back and round lips — restrained vowel resonance, moderate amplitude (~68 dB), and low-intensity vocal frequency (~91 Hz) in unstressed syllable /ko/

Syllable boundary positions and segment widths in this visualization are derived from durational measurements taken from native Cebuano speaker recordings, not estimated. Timing ratios reflect actual phonetic data. Learn how we build our acoustic pronunciation visualizations →

Syllabic Stress Visualization

ka
poj
ko

Syllable stress pattern and pitch contour derived from acoustic measurements of native Cebuano speech. Dot size reflects relative duration and prominence; the curve shows how fundamental frequency (F0) moves across syllables in natural Bisaya pronunciation.

Native Speakers Pronounce: Kapoy ko.

The video above features a native Cebuano (Bisaya) speaker for real-world pronunciation reference. Comparing your production against a native speaker is one of the most effective ways to refine accuracy in stress, vowel quality, and natural speech rhythm. Video sourced from the @bisayaclassroombyjonah3891 YouTube channel.

Other Examples

Editorial Notes

How this pronunciation entry was made

IPA transcription, syllable stress analysis, articulatory mouth animation, and pronunciation audio for this entry were produced by the Dictionarying Editorial Team, using acoustic analysis of native Cebuano speech as the basis for phonetic modeling. Native speaker reference recordings were used to validate pronunciation accuracy, and the final entry was reviewed by a language learning advisor.
  • Pronunciation audio generated via professional speech synthesis, then calibrated against native Cebuano speaker recordings.
  • IPA transcription derived from acoustic/phonetic analysis, not transliteration
  • Articulatory descriptions cross-checked against Cebuano phonology documentation
  • Reviewed by a language learning advisor before publishing

Produced by

Linguistics • Phonetics • Speech Analysis • Language Research

Reviewed by

Ben Worthington - Language Learning Advisor
Language Learning Advisor

Native speaker reference

Jonah Louriz Gonzales - Cebuano Native Speaker
Native Speaker & Founder, Bisaya Classroom by Jonah
Contact & feedback
Last reviewed: May 20, 2026